Electric Daisy Carnival 2011


Andy Clarke began experimenting with programming breaks as a teenager; he met Ant Miles at the studios where he was working through a family connection. They began working together in Ant's converted garage studio where Andy nurtured what was to become a sublime talent for chopping up and re-programming breaks. Andy then decided to set up his own label in early 1992 with a budget of £1000. RAM - so named due to Andy's star sign, Aries - launched with his solo debut and now-highly-collectable 'Sour Mash EP'.

At the age of 15, together with Ant, Andy created magnum opus, 'Valley of the Shadows (31 Seconds)' under their Origin Unknown alias. Often referred to as the 'darkcore prototype', the track won Best Hardcore Tune at the 1993 Hardcore Dance Awards where Andy also collected the prize for Best Newcomer. By this time, his DJing career had begun to progress at a meteoric rate; he had a show on pirate station, Cyndicut FM and secured slots at key raves including Imagination, Club Elevation, Dreamscape, Innovation and Telepathy, where he became a resident. By 1994 together with Ant, he assumed another alias, Desired State, delivering masterpieces like 'Beyond Bass' and 'Here And Now'. In the same year, he began to branch out with collaborations, connecting with DJ Randall to create dancefloor smash, 'Sound Control'. Subsequent studio hook ups would involve Shimon and Moving Fusion.

Origin Unknown's 1997 album, 'Origin Unknown Presents...Speed Of Sound' won Best Dance Album at the Kiss FM Dance Awards and Best Album at the Hardcore Dance Awards, where Andy also collected the gong for Best Producer. The 1998 follow-up, 'Origin Unknown Presents...Sound In Motion', preceded the birth of RAM Trilogy; Andy C, Ant Miles and Shimon's studio hook up. In the same year Andy managed to slot in his Wednesday night radio show on London's Kiss FM between global DJing commitments. In 1999 & 2000, he took the award for Best DJ at the Knowledge Awards. His numerous high profile remix accomplishments include Busta Rhymes 'Woo Hah!' (as Origin Unknown - which won Best Remix at the 1996 Muzik Magazine Awards), Adam F 'Circles', and Jay-Z 'Can't Knock The Hustle'. Andy also won the best D&B DJ award on Drum & Bass arena in 2001 & 2002 where in excess of 90,000 people voted, and again at Accelerated Culture's 'Peoples Choice Awards' in December 2002. Andy is also the highest ranking D&B DJ in the current DJ magazine Top 100 DJs placed at No. 28.


MC GQ Intro: Since its inception back in the early 90's drum&bass has developed at a drastic rate, yet certain themes and characteristics have remained - The charisma, presence and distinctive sound of MC GQ is one such characteristic… MC-ing at the top of the chain for more than 15 years has taken GQ to all the corners of the globe, seen him achieve chart success, and even given him the opportunity to establish his very own record label 'Emcee Recordings'.

Music has been a big part of GQ's life for as long as he can remember: whether he was listening to his Dad's records or tagging along with his brothers soul & funk system, GQ has always been surrounded by music and always keen to be part of it. At school GQ and friend Det (MC) would freestyle along to beats banged out on their desks: but it was watching his neighbour DJ Ron on the TNT system that influenced him to pick up the mic and it was with his good friend Spoony that he managed to find his own unique sound. These were the solid foundations on which his career was built.

GQ's involvement in music turned professional once good friend Julie Braithwaite introduced him to Acid House in the late 80's. Tunes like Joey Beltram's 'Acid Thunder' and 'Big Fun' got under his skin and over the next two years GQ began to organise a whole host of parties, whilst MC-ing and even DJ-ing at others: from Skitzophrenia at Ilford Palais to the legendary raves at Croland Road, then down to KiKi's in Margate, and back to Clapham Common. Weekends were a string of parties going thru from Friday till Sunday night, rolling with the likes of Frankie Valentine, Rat Pack, Grooverider, Mathew B, Richie Fingers, Frankie Bones, and Tony Trax to mention just a few.

It's important to note that GQ had been in the game for close to five years before jungle let alone drum&bass came about. AWOL was a seminal club in establishing jungle, and it was here that GQ secured a residency at the top of the MC world. Representing alongside DJs such as Mickey Finn, Darren Jay, Randall, Dr S Gachet, Kenny Ken, Fabio, Frost, Grooverider & Ron week in week out, and with the tapes being sold all over the place, the buzz started to build and pandemonium soon followed.

It wasn't long before bookings abroad started flooding in: The AWOL tapes established GQ's name in places he'd never been, and so he was one of the first MCs to work in places as far away as Australia and Toronto. Highlights included playing at the same event as Public Enemy in Toronto with over 5,000 people holding their lighters up; being flown to a rave on an island off the coast of Serbia and a helicopter ride to play to 2,000 people in a warehouse in Australia with Andy C.


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